![]() The only difference is: he now knows what kind of hero he can be. the implications of the film are such that Driver will likely speed off into new adventures, as Refn claims, albeit still stuck in the lonely and isolated existence in which we found him. ![]() He chooses his words and actions carefully, and but inevitably gets drawn in. He is unable to remove himself from this life of violence and crime, and he knows it. And in ‘Drive’ he lives on for more and new adventures." Driver is the frog (hence the scorpion on his back), although he believes himself to be the scorpion. Maybe once in awhile I’ve gone too far, but I always believe in finding the right balance. Because I believe art is always best when…you talk about it and think about it, so forth. "Well all my films always have open endings.However, he was surprisingly straight forward in his response: When I asked Refn first-hand what the ending of Drive was all about, I expected the typically coy filmmaker to hand me an equally coy answer. When we last see Driver – bleeding out while behind the wheel of his car, before pulling himself together and speeding off into the night – there is a certain amount of lingering doubt about the literalness vs. That evening, Irene knocks on the Driver's apartment door, with no response. ![]() The Driver makes a final phone call to Irene to tell her he is leaving, and says that meeting her and Benicio was the best thing that has ever happened to him
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